One family’s shenanigans, full of playfully twisted stereotypes, drug addictions, and illicit affairs, grow ever more violent in this comedic satire, which was controversially created for public broadcast.

Set in the 1970s, a teenage Japanese American pyro runs away from her repressed and overbearing mother on a cross-country road trip that ends at the site of a World War II internment camp, rendering corporeal seen and unseen ghosts.

A splintering of narrative structure mixed with found and created material depict the life of Ben, a young multiracial man is safely ensconced in his life with a white girlfriend, as he discovers that his father was part of a bombing mission that destroyed his Japanese mother’s village and killed her entire family during World War II.

The first feature film from artist and digital pioneer Shu Lea Cheang brings her radical experimental vision to a viciously political and campy narrative of two young lesbian parents who fight against environmental racism in the form of radioactive fish lips.

In this captivating take on documentary co-creation, Kelly Saeturn and her boyfriend, Tony Saelio, both refugees from Laos who grew up in the US, record a year and a half of their own lives as Kelly balances her hopes to attend college, a pregnancy, and her relationship with Tony, an ex-con trying to reform.

Drawing on the Smithsonian’s archive of the “living exhibits” of Phillipinos at the 1904 St. Louis World’s Fair, the only film from Marlon Fuentes nests a narrative of discovering family lore, ethnography of the Bontoc people, and stylized enactments in a far-reaching inquiry into historical erasure.

These eight short videos explore the many resonances of blindness, from eye-lid surgery, video surveillance, to word-blindness, and brilliantly incorporate the artist’s interventions over more than a decade of sustained practice.