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My Sight 2021
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1990s Asian American Film & Video
May 29 - June 7, 2020
My Sight is Lined with Visions
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THE VAULT
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28:43
Monterey's Boat People dir. Vincent DiGirolamo and Spencer Nakasako, 1982
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25:02
Four or Five Accidents, one June.. . dir. Roddy Bogawa, 1989
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19:48
Little Murders/Obits dir. Rea Tajiri, 1998
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16:02
Koré dir. Tran T Kim-Trang, 1994
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09:20
Mommy Mommy, Where's My Brain dir. Jon Moritsugu,1986
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13:01
Sally's Beauty Spot dir. Helen Lee, 1990
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05:12
Twitch dir. Amit Desai, 1999
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05:17
Suprematist Kapital dir. Yin-Ju Chen and James T Hong 2006
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05:46
Cop Strings dir. Ho Tam, 1999
In my last trip to Hong Kong, I was met and cruised by this attractive young man at the airport. I thought he was just one of those travelling business man but soon found out that he was in fact in the police force who also knew how to play his Chinese instrument (and to play it well). He was a child prodigy who had performed around the world but now made his living as a businessman (part-time) and as a policeman (part-time). As a result, I asked him to do a performance for me and this was how this tape got made. Mixing the old and the new, the public and the personal, we learn unexpected details about a human being and could only imagine the rest. Directed and produced by Ho Tam 1999 Zheung performed by Constable Wilmond Tam
The Vault
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MAY 29, 2020
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THE VAULT
Play Video
Play Video
28:43
Monterey's Boat People dir. Vincent DiGirolamo and Spencer Nakasako, 1982
Play Video
Play Video
25:02
Four or Five Accidents, one June.. . dir. Roddy Bogawa, 1989
Play Video
Play Video
19:48
Little Murders/Obits dir. Rea Tajiri, 1998
Play Video
Play Video
16:02
Koré dir. Tran T Kim-Trang, 1994
Play Video
Play Video
09:20
Mommy Mommy, Where's My Brain dir. Jon Moritsugu,1986
Play Video
Play Video
13:01
Sally's Beauty Spot dir. Helen Lee, 1990
Play Video
Play Video
05:12
Twitch dir. Amit Desai, 1999
Play Video
Play Video
05:17
Suprematist Kapital dir. Yin-Ju Chen and James T Hong 2006
Play Video
Play Video
05:46
Cop Strings dir. Ho Tam, 1999
In my last trip to Hong Kong, I was met and cruised by this attractive young man at the airport. I thought he was just one of those travelling business man but soon found out that he was in fact in the police force who also knew how to play his Chinese instrument (and to play it well). He was a child prodigy who had performed around the world but now made his living as a businessman (part-time) and as a policeman (part-time). As a result, I asked him to do a performance for me and this was how this tape got made. Mixing the old and the new, the public and the personal, we learn unexpected details about a human being and could only imagine the rest. Directed and produced by Ho Tam 1999 Zheung performed by Constable Wilmond Tam
An extravaganza of kinetic visionaries in Asian American filmmaking
from the 1990s and beyond, with new commentary and live conversations.
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